Matthew Christopher Bourne Essays -- Drame

Matthew Christopher termBorn 13th. January, 1960, London.British trip the light fantastic toer and choreographer.His parents were June and Jim marches and he had a brother Dan. Hismother was a secretarial assistant and his father soured for Thames Water for 30years.When 12 or 13 he and his friend Simon Carter waited to get theautographs of actors outside the Apollo, Lyric, Palace, or Queenstheatres.He attended a Methodist-run youth club which had a chorus and he put onhis versions of musicals.He went to school at the Sir George Monoux mixed comprehensive (latera sixth-form college) in Walthamstow in north-east London. He leftwith two grade C A levels.He didnt admit to himself that he was gay until he was 18. He thenrang the recall number for Gay Switchboard which was printed on thesleeve of Tom Robinsons single Glad To Be Gay and he was directed toa gay youthclub in Holloway.He first took a line of reasoning in the contracts department at the BBC. He nexthad a demarcation w ith the Keith Prowse ticket agency. This was followed by ajob in the Royal National house bookshop. He also worked as an usherand became aware that among the other theatre devotees were dance anddrama students.In 1982 he was given a place at the Laban Centre for Movement and move. Being 22 he was older than usual, and he also had no previousdance lessons. However, he had a great breadth and depth of knowledgeof theatre, dance, and old musicals. He obtained a BA in dance andtheatre in 1986.In 1987, with the help of friends from the Laban, he set up his owndance confederation Adventures in Motion Pictures (AMP). The go withreworked classical pieces including The Nutcracker and La Sylphides.In 1995 the company produced Swan Lake with all the swans being playby men, and in 1997 it became the longest-running ballet in the WestEnd since Diaghilevs Sleeping Princess in 1926. In 1999 it went toBroadway. He received a Tony Award for beat out choreographer and bestdirector of the musica l.He had a seven-year relationship with David Manners who designed forAMP. In 1995 he started a relationship with Arthur Pita, a principledancer with AMP.In 1997 Matthew Bourne became an honorary fellow of the Laban Centre.Also in 1997 he was asked by Cameron Mackintosh to create the dancesfor the revival of Lionel Barts musical Oliver. The fees from thisallowed h... ...egan in his early twenties, and his love for theater and movie house hasled him to be dubbed the Noel Coward of modern dance.Born in London on January 13, 1960, Mr. Bourne graduated from theLaban Centre in 1985 with a degree in Dance/Theater, spending afurther year touring with Transitions Dance Company. He was a foundingmember of AMP at its launch in July 1987, and his stage works for thecompany include Overlap Lovers (1987), Spitfire (1988), Buck andWing (1988), The Infernal Gallop (1989), Town & Country (1991),The Nutcracker (1992), upland Fling (1994), Swan Lake (1996)and Cinderella (1997).His television work for AMP includes Late Flowering Lust (BBC TV1993) and Drip - A Love Story (BBC TV/ humanistic discipline Council Dance for theCamera Award 1993), two broadcast in 1994.As well as creating many roles in his own work, he has also workedwith choreographers Ashley Page, Jacob Marley, and Brigitte Farges,and was a founding member, in 1988, of Lea Andersons company TheFeatherstonehaughs. Mr. Bourne has won several awards for hischoreography, including a Bonnie Bird award, a Place Portfoliocommission, and a Barclays New Stages award. Matthew Christopher Bourne Essays -- DrameMatthew Christopher BourneBorn 13th. January, 1960, London.British dancer and choreographer.His parents were June and Jim Bourne and he had a brother Dan. Hismother was a secretary and his father worked for Thames Water for 30years.When 12 or 13 he and his friend Simon Carter waited to get theautographs of actors outside the Apollo, Lyric, Palace, or Queenstheatres.He attended a Methodist-run youth cl ub which had a choir and he put onhis versions of musicals.He went to school at the Sir George Monoux mixed comprehensive (latera sixth-form college) in Walthamstow in north-east London. He leftwith two grade C A levels.He didnt admit to himself that he was gay until he was 18. He thenrang the telephone number for Gay Switchboard which was printed on thesleeve of Tom Robinsons single Glad To Be Gay and he was directed toa gay youthclub in Holloway.He first took a job in the contracts department at the BBC. He nexthad a job with the Keith Prowse ticket agency. This was followed by ajob in the Royal National Theatre bookshop. He also worked as an usherand became aware that among the other theatre devotees were dance anddrama students.In 1982 he was given a place at the Laban Centre for Movement andDance. Being 22 he was older than usual, and he also had no previousdance lessons. However, he had a great breadth and depth of knowledgeof theatre, dance, and old musicals. He obtained a BA in dance andtheatre in 1986.In 1987, with the help of friends from the Laban, he set up his owndance company Adventures in Motion Pictures (AMP). The companyreworked classical pieces including The Nutcracker and La Sylphides.In 1995 the company produced Swan Lake with all the swans being playedby men, and in 1997 it became the longest-running ballet in the WestEnd since Diaghilevs Sleeping Princess in 1926. In 1999 it went toBroadway. He received a Tony Award for best choreographer and bestdirector of the musical.He had a seven-year relationship with David Manners who designed forAMP. In 1995 he started a relationship with Arthur Pita, a principledancer with AMP.In 1997 Matthew Bourne became an honorary fellow of the Laban Centre.Also in 1997 he was asked by Cameron Mackintosh to create the dancesfor the revival of Lionel Barts musical Oliver. The fees from thisallowed h... ...egan in his early twenties, and his love for theater and cinema hasled him to be dubbed the Noel Coward o f modern dance.Born in London on January 13, 1960, Mr. Bourne graduated from theLaban Centre in 1985 with a degree in Dance/Theater, spending afurther year touring with Transitions Dance Company. He was a foundingmember of AMP at its launch in July 1987, and his stage works for thecompany include Overlap Lovers (1987), Spitfire (1988), Buck andWing (1988), The Infernal Gallop (1989), Town & Country (1991),The Nutcracker (1992), Highland Fling (1994), Swan Lake (1996)and Cinderella (1997).His television work for AMP includes Late Flowering Lust (BBC TV1993) and Drip - A Love Story (BBC TV/Arts Council Dance for theCamera Award 1993), both broadcast in 1994.As well as creating many roles in his own work, he has also workedwith choreographers Ashley Page, Jacob Marley, and Brigitte Farges,and was a founding member, in 1988, of Lea Andersons company TheFeatherstonehaughs. Mr. Bourne has won several awards for hischoreography, including a Bonnie Bird award, a Place Portfoliocommission, a nd a Barclays New Stages award.